“Yes, I do,” said Joan. “I like you, sometimes.” Folk had fixed up a party at his studio to meet her. She had been there once or twice; but this was a final affair. She had finished her business in Paris and would be leaving the next morning. To her surprise, she found Phillips there. He had come over hurriedly to attend a Socialist conference, and Leblanc, the editor of Le Nouveau Monde, had brought him along.!

She was a little piqued at his unexpected attitude of aloofness. What did he mean by a “noble marriage”—to a Duke, or something of that sort? “I know an old actress,” he continued. “She’s the mother of four. They are all on the stage and they’ve all made their mark. The youngest was born in her dressing-room, just after the curtain had fallen. She was playing the Nurse to your mother’s Juliet. She is still the best Nurse that I know. ‘Jack’s always worrying me to chuck it and devote myself to the children,’ she confided to me one evening, while she was waiting for her cue. ‘But, as I tell him, I’m more helpful to them being with them half the day alive than all the day dead.’ That’s an anecdote worth remembering, when your time comes. If God gives woman a drum he doesn’t mean man to take it away from her. She hasn’t got to be playing it for twenty-four hours a day. I’d like you to have seen your mother’s Cordelia.”

She made her “good-night” extra affectionate, hoping to disguise her impatience. She wanted to get up to her own room. “If you’re going the whole hog, that’s something I can understand,” continued Flossie. “If not, you’d better pull up.” The village consisted of one long straggling street, following the course of a small stream between two lines of hills. It was on one of the great lines of communication: and troops and war material passed through it, going and coming, in almost endless procession. It served also as a camp of rest. Companies from the trenches would arrive there, generally towards the evening, weary, listless, dull-eyed, many of them staggering like over-driven cattle beneath their mass of burdens. They would fling their accoutrements from them and stand in silent groups till the sergeants and corporals returned to lead them to the barns and out-houses that had been assigned to them, the houses still habitable being mostly reserved for the officers. Like those of most French villages, they were drab, plaster-covered buildings without gardens; but some of them were covered with vines, hiding their ugliness; and the village as a whole, with its groups, here and there, of fine sycamore trees and its great stone fountain in the centre, was picturesque enough. It had twice changed hands, and a part of it was in ruins. From one or two of the more solidly built houses merely the front had fallen, leaving the rooms just as they had always been: the furniture in its accustomed place, the pictures on the walls. They suggested doll’s houses standing open. One wondered when the giant child would come along and close them up. The iron spire of the little church had been hit twice. It stood above the village, twisted into the form of a note of interrogation. In the churchyard many of the graves had been ripped open. Bones and skulls lay scattered about among the shattered tombstones. But, save for a couple of holes in the roof, the body was still intact, and every afternoon a faint, timid-sounding bell called a few villagers and a sprinkling of soldiers to Mass. Most of the inhabitants had fled, but the farmers and shopkeepers had remained. At intervals, the German batteries, searching round with apparent aimlessness, would drop a score or so of shells about the neighbourhood; but the peasant, with an indifference that was almost animal, would still follow his ox-drawn plough; the old, bent crone, muttering curses, still ply the hoe. The proprietors of the tiny épiceries must have been rapidly making their fortunes, considering the prices that they charged the unfortunate poilu, dreaming of some small luxury out of his five sous a day. But as one of them, a stout, smiling lady, explained to Joan, with a gesture: “It is not often that one has a war.”